Sunday, February 22, 2015
4PM to 8PM SCI Building
Media Arts + Practice Division
School of Cinematic Arts
The last few years have seen an emphasis on the gender and racial inequity in many Oscar nominated films, both behind the camera, as well as in front of it. In 2014, the New York Times* reported that the ratio between speaking roles for male versus female characters in all Oscar nominated films was more than two to one. Moreover, an extensive study commissioned by the Geena Davis Institute for Gender and carried out by a team at the USC Annenberg School of Communication and Journalism reported the same gender as well as racial imbalance in the top ten box office markets globally.*
Using clips from Oscar nominated films as a starting point, students will analyze their features, before “talking back” to them by editing, and/or generating new clips via The LAMP’s MediaBreaker online video editor and media advocacy site (see below for a demo).
Lee, Kevin. “The Gender Gap in Screen Time.” The New York Times. 27 February 2014. Online. 4 March, 2014.
USC Annenberg School of Communication website. “Gender stereotypes persist in films on a worldwide scale.” 22 September, 2013. Online. 30 September, 2014.
Tuesday, April 23, 2013
University Park Campus
Bovard Auditorium (ADM)
Admission is free.
Reservations required. RSVP online beginning Wednesday, March 27, at 9 a.m.
Called Gypsy, Tsigan, Gitane, Cygane, Zigeuner, the Roma people have wandered the world for a thousand years—their mysterious origins a source of fascination as well as suspicion. They’ve been romanticized but also brutally persecuted by the more settled and orderly cultures they’ve traveled through and enriched.
Tsigan: The Gypsy Poem is an acclaimed book-length poetic sequence written by USC poet Cecilia Woloch. It intertwines her personal journey of identity with the larger forces in the world that have shaped the Roma people’s fate and fortunes. Tsigan both eulogizes and celebrates the lives of Gypsies, a people who have endured centuries of dispossession, exile, poverty and extermination. The soul of the Gypsy has been pursued to near extinction, yet its wandering fire survives, emblematic of the freedom and creativity of the human spirit.
The text of Tsigan will form the basis for this moving multimedia performance produced by documentary filmmaker Paula Fouce, with stage direction by USC dramatic arts professor Jack Rowe. Woloch’s reading from the poem will come to life against a backdrop of archival footage depicting the history and travails of the Roma people. Testimonies from the USC Shoah Foundation Institute of Roma survivors of the Nazi Holocaust will be featured. Film and still images from sources such as the National Archives and the U.S. Holocaust Memorial Museum, edited by USC film students under the direction of professor Lisa Leeman, will be screened. Music and dance will be woven throughout the performance, celebrating the lyrical fire of the Gypsy spirit—a poetic spirit that transcends geographical boundaries and the limits of space and time. Award-winning dancer and singer Briseyda Zarate will perform with guitar accompaniment in the Flamenco tradition developed by Spanish Gypsies to express duende, the sorrow and passion of the soul.
A conversation with the audience, moderated by Stephen Smith, executive director of the USC Shoah Foundation Institute, will follow the performance. Cecilia Woloch will answer questions about the genesis of her poem. Students involved in the evening’s production will also participate. The image of the Gypsy has come to symbolize the creative spirit so often suppressed by more conventional societies. Thus, the discussion will focus not only on the issues raised by the presentation, but also on how art serves as a vehicle for diving into their deeper meanings.
Organized by Cecilia Woloch (English), Lisa Leeman (Cinematic Arts), Jack Rowe (Dramatic Arts), Stephanie Shroyer (Dramatic Arts) and Paula Fouce (independent filmmaker). Co-sponsored by the USC Shoah Foundation Institute.
Photo: Annette Corsino